Find Your Light Pane Kicks Off
Theater Season for the CT Chapter
of the League of Professional Theatre Women
Broadway Lighting Designer and League of Professional Theatre Women member Dawn Chiang will lead an interactive discussion on how visual vocabulary and theatrical crafts contribute to the emotional life of the storytelling art Monday, Oct. 23 in Norwalk.
Joining Chiang for the "Find Your Light!" panel are Elizabeth Williamson, artistic director at Hartford Stage, Costume Designer Tilly Grimes and Scenic Designer Jessica Parks. The event, produced by Co-Founder Marie Reynolds, will kick of the 2017-2018 season for the CT Chapter of the League of Professional Theatre Women, now in its second year.
A networking time with light refreshments will be held from 5:30 to 6:30 pm followed by the panel discussion/demonstration from 6:30 to 8:30 pm in the multi-media gallery at Stepping Stones Museum, Mathews Park, 303 West Ave, Norwalk, CT.
Space is limited and reservations are required via this link:
Chapter members and one guest are free. Non-members are welcome and will be charged $5 (cash only) at the door. Questions: marie@theatrewomen.
About the Connecticut Chapter:
The League of Professional Theatre Women is committed to promoting and advocating for professional women in theater and to providing members networking and development opportunities. The Connecticut Chapter is co-founded by state residents and members of the League, Lauren Yarger (Broadway and Connecticut theater critic), Mary Miko, (Special Events Coordinator at Goodspeed), Tracey Moore (Actress/Educator) and Marie Reynolds (Actress/Director/Producer). All Connecticut women working in professional theater are invited to join the CT Chapter which holds events regionally throughout the year. For more information contact CTchapter@theatrewomen
About the panelists:
DAWN CHIANG
On Broadway, Dawn designed the lighting for Zoot Suit, was co-designer for Tango Pasion, and associate lighting designer for Show Boat, The Life and the original Broadway production of La Cage Aux Folles. Off Broadway, she has designed for the Roundabout Theater, Manhattan Theatre Club, and co-designed the first two seasons of the “Encores!” concert musical series at City Center. Dawn was resident lighting designer for New York City Opera, and has worked for the concert tours of Paul Anka, The Carpenters, Diana Ross, and Loggins and Messina. She has designed the lighting at numerous regional theaters including the Mark Taper Forum, Oregon Shakespeare Festival, Denver Center Theatre Company, Guthrie Theater, Alliance Theatre, South Coast Repertory and Arena Stage. Dawn has earned two Drama League Critics' Awards, two Lighting Designer of the Year Awards (Syracuse Area Live Theatre), and nominations for the San Francisco Drama Critics’ Award, Los Angeles Drama Critics’ Award and the Maharam Award for design from American Theatre Wing. She is also a senior consultant with Theatre Projects Consultants, who plan, design and help build performing arts facilities worldwide. tp://dawnchiang.co
On Broadway, Dawn designed the lighting for Zoot Suit, was co-designer for Tango Pasion, and associate lighting designer for Show Boat, The Life and the original Broadway production of La Cage Aux Folles. Off Broadway, she has designed for the Roundabout Theater, Manhattan Theatre Club, and co-designed the first two seasons of the “Encores!” concert musical series at City Center. Dawn was resident lighting designer for New York City Opera, and has worked for the concert tours of Paul Anka, The Carpenters, Diana Ross, and Loggins and Messina. She has designed the lighting at numerous regional theaters including the Mark Taper Forum, Oregon Shakespeare Festival, Denver Center Theatre Company, Guthrie Theater, Alliance Theatre, South Coast Repertory and Arena Stage. Dawn has earned two Drama League Critics' Awards, two Lighting Designer of the Year Awards (Syracuse Area Live Theatre), and nominations for the San Francisco Drama Critics’ Award, Los Angeles Drama Critics’ Award and the Maharam Award for design from American Theatre Wing. She is also a senior consultant with Theatre Projects Consultants, who plan, design and help build performing arts facilities worldwide. tp://dawnchiang.co
ELIZABETH WILLIAMSON
Elizabeth Williamson is Hartford Stage's associate artistic director and also leads the company's work in new play development. For Hartford Stage, She has directed Cloud 9, translated La Dispute, and dramaturgedHeartbreak House, Anastasia, Romeo and Juliet, The Body of an American, An Opening in Time, Hamlet, Reverberation, Macbeth, Man in a Case, A Gentleman's Guide to Love and Murder, and others. Before joining Hartford Stage, Williamson served as Associate Artistic Director and Literary Manager for Pioneer Theatre Company, where she premiered Bess Wohl'sTouch(ed) and In, and Wendy MacLeod's Find and Sign. She has worked around the country with About Face Theatre, the American Conservatory Theater, Aurora Theatre, the Bay Area Playwrights Festival, Berkshire Opera, Court Theatre, HERE Arts Center, the La Jolla Playhouse, Lincoln Center Theatre Directors Lab, Lorin Maazel’s Castleton Festival, the Magic Theatre, Steppenwolf Theatre, Theatre de la Jeune Lune, and the Williamstown Theatre Festival. Education: Bachelor of Arts in Theatre Directing and Comparative Literature, Bennington College; Master’s in European Literature, Oxford University; trained at the École Jacques Lecoq. Awards: NEA Fellowship in Literary Translation.
Elizabeth Williamson is Hartford Stage's associate artistic director and also leads the company's work in new play development. For Hartford Stage, She has directed Cloud 9, translated La Dispute, and dramaturgedHeartbreak House, Anastasia, Romeo and Juliet, The Body of an American, An Opening in Time, Hamlet, Reverberation, Macbeth, Man in a Case, A Gentleman's Guide to Love and Murder, and others. Before joining Hartford Stage, Williamson served as Associate Artistic Director and Literary Manager for Pioneer Theatre Company, where she premiered Bess Wohl'sTouch(ed) and In, and Wendy MacLeod's Find and Sign. She has worked around the country with About Face Theatre, the American Conservatory Theater, Aurora Theatre, the Bay Area Playwrights Festival, Berkshire Opera, Court Theatre, HERE Arts Center, the La Jolla Playhouse, Lincoln Center Theatre Directors Lab, Lorin Maazel’s Castleton Festival, the Magic Theatre, Steppenwolf Theatre, Theatre de la Jeune Lune, and the Williamstown Theatre Festival. Education: Bachelor of Arts in Theatre Directing and Comparative Literature, Bennington College; Master’s in European Literature, Oxford University; trained at the École Jacques Lecoq. Awards: NEA Fellowship in Literary Translation.
TILLY GRIMES
Tilly is an English theatre designer based New York. Recent credits Underground Railroad Game (Lucille Lortel Nomination, International, National Tour and Ars Nova), Small Mouth Sounds (New York and National Tour), The Government Inspector (Duke on 42nd and New World Stages). Recognition - Lortel Nomination Best Costume Design, Balsamo Grant for Immigrant Artists, Irish Design Award, Irish Times Theatre Nomination and Onstage Critics Award. New York - Roundabout, Ars Nova, Women’s Project, Foundry, Red Bull Theatre, Cherry Lane, The Pearl, Clubbed Thumb, Here Arts Centre, Barrow Group, and La Mama. Regional - Williamstown Theatre Festival, New York Stage and Film, Alley Theatre, Shakespeare Theatre DC, Goodspeed Opera, OSF, Wilma, Hudson Valley Shakespeare, Two Rivers Theatre Company, Trinity Repertory Company, Pittsburgh Public & Westport County Playhouse.
Jessica, (Scenic Designer, NNPN Producer in Residence), has worked in theater as a set designer since 2003. NYC design credits include: Dan Lauria's Dinner with the Boys at The Acorn Theater, Butler at 59E59 St. Theaters, The Housewives of Mannheim at 59E59 St. Theaters, and Jericho and Poetic License
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