Valerie Stack Dodge and Michael Iannucci. Photo: Anne Hudson
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Waltzing
Through the Complexities of Life, Friendship
By Lauren Yarger
An unlikely love story dances across the stage as an older woman and a younger, gay dance instructor discover the music of friendship together in Richard Alfieri’s Six Dance Lessons in Six Weeks at Ivoryton Playhouse.
By Lauren Yarger
An unlikely love story dances across the stage as an older woman and a younger, gay dance instructor discover the music of friendship together in Richard Alfieri’s Six Dance Lessons in Six Weeks at Ivoryton Playhouse.
Friendship is a melody neither of them really expected
to enjoy again. Lily Harrison (Valerie Stack Dodge) has withdrawn from society
and keeps to herself in a retirement community in Florida where she seems to
have only one friend – an Alzheimer’s-stricken neighbor downstairs whom she
sees on occasional outings. She further shields herself by pretending that her
husband is still alive to deter anyone who might try to take advantage of a
widow on her own.
Enter Michael Minetti (Michael Iannucci), hired by
Lily to give her six private dance lessons in six weeks. They get off on the
wrong foot -- their antagonism is palpable – and Lily almost fires Michael
before the first dance step. A second chance paves the way for a relationship
that surprises them both.
While foxtrotting, waltzing and doing the tango
around Lily’s living room (designed by William Russell Stark), they reveal more
about themselves, their insecurities and lies they have told. Lisa Bebey
designs an assortment of costumes for each of the routines choreographed by Apollo
Smile.
One of the biggest hurdles is for Michael to trust
Lily – a teacher and Baptist minister’s wife—in the face of prejudice against
gays. Their losses – Michael has lost his partner and his mother, Lily has
lost her husband and a daughter – unite them as they master the steps of a deep
and abiding friendship.
The play, which clocks in a just over two hours with
an intermission, is a delightful spin around tough subject matters, the things
that really get in the way of being able to enjoy being with other people and
the joy that is possible when leading and following results in Fred-and-Ginger-like perfection.
There are many “ah-ha” moments where the characters
express truths of life – even if they don’t sound like true phrases people say
in conversation. The actual dancing seems a bit stiff and we don’t really buy
Iannucci as a former Broadway chorus dancer-turned instructor. But the bond between the characters is genuine, thanks
to the strong performances from the actors and their good rapport (though Dodge’s
wig, designed by Mark Adam Pampmeyer, doesn’t make her look anywhere near 72…). Scene changes unfortunately interrupt the mood as we have to wait for a stage
manager to reset props (it would have been smoother to have the actors gather
props while exiting.)
It’s a gentle story that makes you smile and believe
in humanity again. A 2014 film adaptation
of the story starred Gena Rowlands and Cheyenne Jackson, but I have never seen
it performed since it made its Broadway debut in 2003. I’m glad the Playhouse has
rediscovered it.
Six Dances in Six Weeks actually doesn't play that long -- just until May 22, at the Playhouse, 103 Main St., Ivoryton, so catch it while you can. Performances are Wednesday and Sunday at 2 pm; Wednesday and Thursday at 7:30 pm; Friday and Saturday at 8 pm.Tickets are $44 for adults; $39 for
seniors; $22 for students and $17 for children. (860) 767-7318; www.ivorytonplayhouse.org;
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