C O N N E C T I C U T
--- A R T S ---
C O N N E C T I O N

Saturday, November 5, 2011

Theater Review: The Woman in Black -- Ivoryton

Ian Lowe, Steve L. Barron. Photo: Anne Hudson
A Ghost Story Within a Play Within a Play Appears in the Mist
By Lauren Yarger
A playwright endeavors to tell the scariest ghost story he's ever heard, but will the real ghost let him?
A creeping mist, a mysterious veiled woman and a play within a play are conjured up at Ivoryton Playhouse in Stephen Mallatratt's play The Woman in Black, based on the novel by Susan Hill (the show has been running for 23 years in London's West End).

Kipps (Steven L. Barron) must tell the story of his experiences settling the estate of a reclusive woman who lived in a rambling estate on an island in a remote part of England, despite his lack of acting experience and the fact that he probably will put his audience to sleep with the more-than-five-hour long play he has written. So he hires an actor (Ian Lowe) to advise him on how to do it.

The happy actor indulges him and decides the best way to proceed is for his to assume the role of Kipps, while the playwright assumes the roles of all the other characters. The actor starts adapting props left backstage at the Victorian theater where they are going to present the piece (Tony Andrea, scenic design) and surprises Kipps with recorded effects (Tate R. Burmeister, design) to produce the sounds of London streets, a ride in a pony and trap and other mysterious noises Kipps encountered at the estate.

As the tale unfolds, Kipps becomes more skilled at portraying the island's odd inhabitants, all spooked by the appearance of a ghostly, gaunt looking woman clad in black who wanders the property and family graveyard. Who is she and why does a child die tragically every time she is spotted? The real script is a little redundant and slow moving at times, but stick with it and you'll be caught up in the chilling ghost story.

Directed by Maggie McGlone Jennings, the actors give skilled performances of characters portraying characters (Barron, morphing from bad actor to various village dwellers to a man who is fear personified, really is superb). Andrea and lighting designer Doug Harry create some ghostly effects and a creeping fog adds to the atmosphere. Voiceovers are by Alana Lee Burke. Costumes are by Vickie Blake.

The Woman in Black appears at Ivoryton Playhouse, 103 Main St., through Nov. 20. Performance times are Wednesday and Sunday matinees at 2 pm;  Wednesday and Thursday at 7:30 pm; Friday and Saturday at 8 pm. Tickets are $40 for adults, $35 for seniors, $20 for students and $15 for children and are available by calling the box office at 860-767-7318 or by visiting www.ivorytonplayhouse.org.  (Group rates are available by calling the box office for information.).

No comments:


Lauren Yarger with playwright Alfred Uhry at the Mark Twain House. Photo: Jacques Lamarre)

My Bio

Lauren Yarger has written, directed and produced
numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont
Bessie (theater and film awards) for “People’s Choice for Theatre.”

Yarger trained for three years in the Broadway
League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway
run.

She was a Fellow at the National Critics Institute at the O'Neill
Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/. She
is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), CT Press Club's award winner of first place for web editing and second place in feature writing for the web in 2012.

She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor
for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web. Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented
by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle (awards committee).

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts,
the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

Blog Archive

Copyright Notice

All contents are copyrighted © Lauren Yarger 2009, 2010, 2011.,2012, 2013 All rights reserved.