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Thursday, April 7, 2011

Theater Review: A Steady Rain -- TheaterWorks

Kyle Fabel and Aaron Roman Weiner. Photo by Lanny Nagler
Steady Direction, Steady Performances
By Lauren Yarger
While watching Keith Huff’s A Steady Rain at TheaterWorks, I was reminded why I had enjoyed this play so much last season in New York, and it wasn’t because the Broadway production starred Hugh Jackman and Daniel Craig. It was because the play in thoroughly engrossing and keeps you on the edge of your seat – even when you’ve seen it already.

The gripping tale is the story of two men, childhood friends who have gone on to become Chicago cops together, and a storm of events that wash everything away almost in the blink of an eye. There was a steady rain when it all started, Joey (Kyle Fabel) remembers, and as the tale unfolds, we discover that tensions really had been swirling long before. A relentless pounding of both the friendship and the spiraling-down life of Denny (Aaron Roman Weiner) finally erodes both and sweeps them down the storm drain.

Racist Denny, convinced the department’s reversed affirmative action policies have denied him and his partner promotions to detective for the third time, earns extra money to provide for his family by shaking down prostitutes and pimps in the precinct. Joey, who is drinking himself to death, is saved when Denny and his wife make him feel like part of their family. When Denny sets Joey up on a blind date with a prostitute, however, the steady rain begins.

In the gripping and chilling aftermath of Denny’s built-up anger, a child’s life hangs in the balance, a serial murderer gains the upper hand, several people are killed, the bonds of marriage are tested, the partners’ friendship is strained and nothing will ever be the same. Huff’s writing draws you in, then stuns you with twists that reveal how a really bad day just got worse (there were some audible gasps from the audience) and challenges your definition of loyalty and protection.

The strong performances are tightly directed by Tazewell Thompson (who helmed Broke-ology and God of Carnage at TheaterWorks). The action all is through the dialogue: Donald Eastman’s set just uses a few chairs.

Catch it through May 8 at TheaterWorks at City Arts on Pearl, 233 Pearl St., Hartford. For tickets and information, call 860-527-7838 or visit http://www.theaterworkshartford.org/.

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Lauren Yarger with playwright Alfred Uhry at the Mark Twain House. Photo: Jacques Lamarre)

My Bio

Lauren Yarger has written, directed and produced
numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont
Bessie (theater and film awards) for “People’s Choice for Theatre.”

Yarger trained for three years in the Broadway
League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway
run.

She was a Fellow at the National Critics Institute at the O'Neill
Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/. She
is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), CT Press Club's award winner of first place for web editing and second place in feature writing for the web in 2012.

She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor
for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web. Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented
by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle (awards committee).

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts,
the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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