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Saturday, September 25, 2010

Spamalot -- The Palace

Spamalot photo from prior production
Monty Python Silliness Kicks Off National Tour After Retooling in Waterbury
By Lauren Yarger
If you’re not a Monty Python fan, stop reading now and just stay at home, because you won’t understand anything mentioned here, but if you are, grab your coconut shells and trot on over to the Palace Theater in Waterbury where the newest national tour of Spamalot is kicking off this weekend (catch the show tonight at 8 pm. Visit http://www.palacetheaterct.org/ for tickets and information).

The zany show, which won the 2005 Tony Award for Best Musical, features a book and lyrics by Monty Python’s Eric Idle, who teamed with John Du Prez to write the music. The show is restaged by director BT McNicholl and choreographer Scott Taylor closely following the original concept helmed by Mike Nichols and choreographed by Casey Nicholaw. It follows King Arthur (Steve McCoy) and his round-table mates on their quest for the holy grail.

Among those making their way with him through the perils of killer rabbits, catapulting cows, the Knights Who Say Ni and a lot of other tacky, but funny situations are the noblest -- and wackiest of sirs: Robin (Martin Glyer), Galahad (Jacob L. Smith) and Lancelot (Adam Grabau). Guided by The Lady of the Lake (Caroline Bowman) and God (the recorded voice of Idle), they sing, twirl parasols, and tap dance their way through songs and re-enact classic bits from “Monty Python and the Holy Grail,” the popular motion picture from which it was “ripped off.”

Fans in the audience Friday guffawed -- many times in advance of the actual lines since die-hard fans know what’s coming -- and at a local reference thrown in about the Waterbury mayor. A six-member band, conducted by Kevin Casey, accompanies the show, scaled back from the original and this time, non Equity.

The show is satisfying for the Spamalot fan. For the most part, the acting is fine and Smith lends a particularly nice voice to Galahad. Bowman, who has a nice high soprano voice and high belt, is miscast, however, as The Lady of Lake. She lacks the lower register and stage experience to pull off the character’s more humorous moments easily.

For list of where the tour will play, including a stop at the Shubert in New Haven, visit http://www.montypythonsspamalot.com/spamalot_tickets_info.php.

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Lauren Yarger with playwright Alfred Uhry at the Mark Twain House. Photo: Jacques Lamarre)

My Bio

Lauren Yarger has written, directed and produced
numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont
Bessie (theater and film awards) for “People’s Choice for Theatre.”

Yarger trained for three years in the Broadway
League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway
run.

She was a Fellow at the National Critics Institute at the O'Neill
Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/. She
is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), CT Press Club's award winner of first place for web editing and second place in feature writing for the web in 2012.

She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor
for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web. Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented
by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle (awards committee).

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts,
the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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