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Friday, May 18, 2012

Theater Review: Teddy & Alice -- Seven Angels

The Cast of Teddy and Alice. Photo: Paul Roth
A Bully Season-Ender Where Current Headlines Could Have Written the Dialogue
By Lauren Yarger
The possibility of a third-party candidate amidst disagreement within the Republican Party; questions about corporate donations to campaigns; charges of socialism and a president who golfs too much. Sound like topics from today's news? Think again.
The subjects are part of the 1987 musical Teddy & Alice about the early 20th-century presidency of Teddy Roosevelt (a bully John T Lynes). It features tunes by John Philip Sousa (Richard Kapp provides adaptations and original music), a book by Jerome Alden, lyrics by Hal Hackaday and even artistic consultation by Alan Jay Lerner. The timely references prove, as Director Semina De Laurentis promised in a pre-curtain welcome, that even though the musical depicts events from more than 100 years ago, "not much has changed."

The Alice in the title, is Roosevelt's daring, unconventional daughter (played by Sydney Turner) who smokes in public, doesn't blush at showing a little ankle and speaks her mind. Her opinions clearly interfere with those who want the president's ear for themselves like financier J.P. Morgan (Tim Cleary), William Howard Taft (Charles Stoop), Sen. Henry Cabot Lodge (Jonathan Ross) and Secretary of War Elihu Root (John Swanson), so they conspire to marry "Alice Interuptus" off. Charles DellaRocco, Jimmy Donohue, Michelle Gotay, Diane Magas, Deb O'Connell Mandy Thompson and Cassie Taylor round out the ensemble.
Alice is really just a chip off the old block, they discover, however, as her father bucks the norm himself, even doing the unthinkable -- at least in 1901 Washington -- by inviting black Booker T. Washington (Jerrial Young) to dine at the White House. The president also manipulates politics in Panama, where he wants to build a canal.
"Shouldn't you consult with Congress?" one of his advisers asks.
"No, I want to get things done," he barks.
That exchange got a lusty guffaw from the audience who didn't miss the modern-day relevence.
Alice eventually does fall in love with Sen. Nick Longworth (Matt Martin, who has a lovely tenor), many years her senior, but at first Roosevelt refuses to give his blessing and sends Alice off on a four-month good will tour of the Far East. The trouble, it seems, is that Roosevelt just can't let go of Alice. She reminds him too much of her late mother, Alice Lee. That reluctance doesn't go unnoticed by second wife, Edith (Krista Adams Santilli), who feels she can't compete with the memory of Roosevelt's beloved first wife, even though she has given him five more children (played here by Connor Barth, a 6th grader at WAMS, Carey Cannata, a rising freshman at the Taft School,  Brandon Szep, Christina Vlamis and Philip Coffey).

There are some unfortunate glitches that mar the production: sound levels and mixes need adjustment (Martin also designs the sound); conversations by the four musicians housed off stage left can be heard during dialogue; light cues can be slow (Matt Guminski, design) and the ensemble and musicians aren't together in some of the larger productions numbers (Richard DeRosa, music direction).
There are some triumphs as well, however. Choreographer Janine Molinari does a nice job with both small and larger numbers particularly as the ensemble members seem to be at different levels of ability. A scene depicting the 1912 convention and the birth of the progressive party when Roosevelt tried to keep his successor, Taft, from winning the nomination for a second term, is very well staged with banners streaming (Erik D. Diaz, set design), flags waving and Sousa's "Stars and Stripes" blaring. (In a nice touch the theater has patriotically decorated ballot boxes in the lobby for audience members to cast votes to choose shows for next year's season.)
Alden's book is a bit cheesy and long at more than two and half hours, but it's wholesome fun and awfully contemporary.
Teddy & Alice wraps up the season at Seven Angels with an extension of dates: Friday, June 15 at 8 pm, Saturday, June 16 at 8 pm and Sunday June 17 at 2 pm. For information or to purchase tickets, call 203-757-4676 or visit http://sevenangelstheatre.org/. Seven Angels is located at 1 Plank Road, Waterbury.

2 comments:

Beth Cannata said...

Great review, Lauren.
My son Carey Cannata is in the show as Ted Jr. I just wanted to correct the information regarding school for him in the fall.
He will be a freshman at The Taft School in Watertown, CT.
Thank you so much for the nod!

Lauren Yarger said...

Thanks for the correction. If I remember correctly, we got his named misspelled in a spellcheck glitch last time. But make no mistake -- I know who he is. Amazingly talented kid -- he will be a star.


Lauren Yarger with playwright Alfred Uhry at the Mark Twain House. Photo: Jacques Lamarre)

My Bio

Lauren Yarger has written, directed and produced
numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont
Bessie (theater and film awards) for “People’s Choice for Theatre.”

Yarger trained for three years in the Broadway
League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway
run.

She was a Fellow at the National Critics Institute at the O'Neill
Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/. She
is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), CT Press Club's award winner of first place for web editing and second place in feature writing for the web in 2012.

She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor
for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web. Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented
by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle (awards committee).

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts,
the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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