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Friday, June 8, 2012

Renovations Begin at Long Wharf's Main Stage

Long wharf Theatre staff and Petra Construction employees
Long Wharf Theatre's Mainstage is ready for demolition and renovation.

A $3.8 million renovation project to the newly christened Claire Tow Stage in the C. Newton Schenck III Mainstage begins today and is slated for completion in mid-October. Since the close of My Name is Asher Lev, Long Wharf Theatre staffers have been working to prepare the space for the demolition work slated to begin June 8, taking down equipment and removing some of the decades’ worth of stuff stored in the crevices of the theatre. The track lighting was removed completely for the first time since the theatre’s inception, uncovering a patchwork of paint cans hung in the rafters to catch leaks in the ceiling. 

The backstage area, at one point in the theatre’s history the original scene shop, was stripped of its temporary dressing rooms and racks of stored materials, reducing the room to its original industrial roots. 

Unbeknownst to most patrons, there are a series of tunnels beneath the Mainstage Seats. The tunnels, used for actors and stage crews to have different access points to the thrust stage, were lined with all sorts of theatrical memorabilia – archival information, lighting equipment, boxes and boxes of the theatre’s institutional memory. The process of clearing the arteries of the theatre, so to speak, has been ongoing. The entire staff has pitched in to clean up and get ready to turn the building over to Petra Construction. 

Fundraising for the project continues to be successful, with over $3.23 million already contributed by patrons and friends of the theatre. However, Long Wharf still needs to achieve the last 15 percent of its total fundraising goal, and there are still giving opportunities, including naming seats in the new theatre. 

For more information about how to support the project, contact Director of Development Eileen Wiseman at 203-772-8237 or via e-mail at eileen.wiseman@longwharf.org

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Lauren Yarger with playwright Alfred Uhry at the Mark Twain House. Photo: Jacques Lamarre)

My Bio

Lauren Yarger has written, directed and produced
numerous shows and special events for both secular and Christian audiences. She co-wrote a Christian musical version of “A Christmas Carol” which played to sold-out audiences of over 3,000 in Vermont and was awarded the 2000 Vermont
Bessie (theater and film awards) for “People’s Choice for Theatre.”

Yarger trained for three years in the Broadway
League’s Producer Development Program, completed the Commercial Theater Institute's Producing Three-Day Training and produced a one-woman musical about Mary Magdalene that toured nationally and closed with an off-Broadway
run.

She was a Fellow at the National Critics Institute at the O'Neill
Theater Center in Waterford, CT. She writes reviews of Broadway and off-Broadway theater (the only ones you can find in the US with an added Christian perspective) at http://reflectionsinthelight.blogspot.com/. She
is editor of The Connecticut Arts Connection (http://ctarts.blogspot.com), CT Press Club's award winner of first place for web editing and second place in feature writing for the web in 2012.

She is a contributing editor for BroadwayWorld.com and is a theater reviewer for the Manchester Journal-Inquirer. She previously served as Connecticut theater editor
for CurtainUp.com and as Connecticut and New York reviewer for American Theater Web. Yarger is a book reviewer for Publishers Weekly and freelances for other sites. She is a member of the National Book Critics Circle.

She is a freelance writer and playwright and member of The Drama Desk, The Outer Critics Circle, The American Theater Critics Association and The League of Professional Theatre Women. She served as a judge for the SDX Awards presented
by the Society of Professional Journalists. She also is a member of the Connecticut Critics Circle (awards committee).

A former newspaper editor and graduate of the University of Missouri’s School of Journalism, Yarger also worked in arts management for the Bushnell Center for the Performing Arts,
the Hartford Symphony Orchestra and served for nine years as the Executive Director of Masterwork Productions, Inc. She lives with her husband in West Granby, CT. They have two adult children.

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