|Chris Thorn and Pascale Armand. Photo: Lanny Nagler|
By Lauren Yarger
Relationships at start and finish, love at first and last sight drive the newest work from playwright John Cariani, Love/Sick at TheaterWorks.
Director Amy Saltz, who helmed last season’s award winning production of Cariani’s Almost Maine at TheaterWorks, assembles a talented cast of four (Pascale Armand, Bruch Reed, Chris Thorn and Laura Woodward) to play 20 characters in ten sketches about love at its best and not-so-best set at “7:30 pm on different Friday evenings, Spring through Winter in an alternate suburban reality.”
Make sure you catch that “alternate reality” part, because unless you are willing to let go of reality, and give Cariani some room to create some "sick" characters and situations, you won’t enjoy a lot of the humor. The playwright makes this clear with the first sketch, “Obsessive Impulsive,” where a Man and a Woman (Reed and Woodward) run into each other at the Super Center and immediately start making out. They try to stop themselves, but as they apologize and try to explain (in exact unison), we discover they suffer from Obsessive Impulsive Disorder, which makes it difficult for them to keep from acting upon impulses.
Have they fallen in love at first sight or are they just unable to control a physical attraction? It’s funny, but bizarre.
Thorn stands out in the next sketch “The Singing Telegram,” when, on his first day on the job, reluctantly delivers a singing missive that doesn’t contain a message its recipient, (Armand), is expecting. He’s embarrassed, awkward and deeply sensitive.
The actors continue opening windows into moments of relationships with the help of quick-change costumes designed by Harry Nadal and simple sets (designed by Michael Schweikardt) and props (managed by Sven Henry Nelson). The vignettes include
- · “What?!?” about a gay man who loses his hearing and ability to speak to protect himself from being hurt in a relationship
- · “The Answer” where a bride with cold feet confronts her groom-to-be in the bathroom, just moments before their wedding to demand that he propose again.
- · “Uh-Oh,” a bored wife is driven to extremes as she tests the devotion of a husband, who sits on the sofa, unaware as he is absorbed by the lure of his IPad.
- · “Lunch and Dinner,” one of the funniest sketches, where a husband and wife speak in double entendre about finding satisfaction outside of their relationship.
- · “Chicken,” the most disappointing of the sketches, where a husband asks for a divorce and regrets that his wife ever introduced herself because now he doesn’t remember what it was like to feel lonely (also at the Super Center, which creeps into a number of the sketches, as does a flower theme).
- · “Forgot” about a woman who’s biological clock is ticking like a bomb that might blow up her marriage.
- · “Where Was I,” a poignant piece about a woman who has lost herself in the raising of her children
- · “Destiny,” about the meeting of two ex lovers (where else, but at the Super Center). In this climactic sketch, Cariani skillfully ties together all of the tales and wraps up a satisfyingly dark look at this thing we call love (most of the sketches weigh in on the “sick” side of the play’s title, but there is enough humor to offset and give balance.)
Woodward (who was in Almost Maine last season) stands out bringing energy and added layers to characters. She and Thorn have visible chemistry on stage.
The evening at two hours and 15 minutes with an intermission feels a bit long (cutting that Chicken sketch might do the trick), but overall Love/Sick is entertaining and fun.
- · Talkback Tuesday's: May 27, June 3, 10, 17. An intimate conversation with cast and crew after the show.
- · Added matinees on Wednesdays June 4 and 11 at 2 pm.
Love/Sick runs through June 22 at TheaterWorks, 233 Pearl St., Hartford. Performances are Tuesdays, Wednesdays and Thursdays: 7:30 pm; Fridays and Saturdays: 8 pm; Weekend Matinees at 2:30 pm; Wednesday matinees June 4 and 11. Tickets $15-$65; 860-527-7838; www.theaterworkshartford.org.
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